Music Making Software
When making your own music an recording, it can be really pricey. If you are a band that is unsigned, you pay for everything. Making your demo is a must have for any artists or bands. To make a demo that is high quality is the key when promoting your music. There are solutions on recording your own music. I suggest some music making software that can do a great job to have a high quality demo or create your own record. I have done tons of research and there are four that I think are decent. I determined a few aspects when picking a few good ones on the market.
1. User Friendly
2. Sound Quality
3. Efficiency
4. Time Consumption
5. Price
Price is a big one and I found two that cost under $30. This is a great value for what the software offers. I have narrowed it down to four products. Check them out. The quality of these software's produce a sufficient demo for submissions to managers, booking agents, producers, and labels.
Here are four great music making software.
1. Click here
2. Click here
Saturday, June 25, 2011
Friday, June 24, 2011
Webcasting, TV, And Radio Broadcasting
Webcasting, TV, And Radio Broadcasting
Webcasting is basically a broadcast over the internet. There are three types of webcasting in relation to a signed recording artist.
1. Music that is played be self-declared DJs, and by regular, over the air radio stations that actually put there signal on the internet.
2. Streaming on demand of audio or videos on the internet.
3. Artists who broadcast their concerts over the internet.
The types of webcasting numbers one and two are very straightforward. The label has rights to one and two because they are using your masters, which they control. You will still get your royalties on one and two, but not all of it. Number three you get all the profits. When making your own music and broadcasting live your label will want a piece. Just make sure that you have this in your contract. Number three, the label does not make a dime as long as it is in your deal. The label will fight hard to get a chunk.
* Here is a music making software. Click here.
Webcasting is basically a broadcast over the internet. There are three types of webcasting in relation to a signed recording artist.
1. Music that is played be self-declared DJs, and by regular, over the air radio stations that actually put there signal on the internet.
2. Streaming on demand of audio or videos on the internet.
3. Artists who broadcast their concerts over the internet.
The types of webcasting numbers one and two are very straightforward. The label has rights to one and two because they are using your masters, which they control. You will still get your royalties on one and two, but not all of it. Number three you get all the profits. When making your own music and broadcasting live your label will want a piece. Just make sure that you have this in your contract. Number three, the label does not make a dime as long as it is in your deal. The label will fight hard to get a chunk.
* Here is a music making software. Click here.
Artists And Bands Websites
Artists And Bands Websites
Years ago in the music industry, websites were not as popular as today. They were considered unknown creatures and labels were registering sites without permission from the artists or bands. During the term, labels have an exclusive license to set up the artists website, and the artist is allowed to set up his "unofficial website". After the contractual term the official site rights goes back to the artist. In the music business the labels will recoupe the costs of maintaining a website and can charge you up to $25,000. When making your own music and recording with a label monetize your site with merchandise. Remember that the label will have a "360 Deal" clause in your contract and will be entitled to a percentage that you sell on your site and the official site.
* Here are some highly recommended music making software here that will save you loads of money on recording costs.
Years ago in the music industry, websites were not as popular as today. They were considered unknown creatures and labels were registering sites without permission from the artists or bands. During the term, labels have an exclusive license to set up the artists website, and the artist is allowed to set up his "unofficial website". After the contractual term the official site rights goes back to the artist. In the music business the labels will recoupe the costs of maintaining a website and can charge you up to $25,000. When making your own music and recording with a label monetize your site with merchandise. Remember that the label will have a "360 Deal" clause in your contract and will be entitled to a percentage that you sell on your site and the official site.
* Here are some highly recommended music making software here that will save you loads of money on recording costs.
Thursday, June 23, 2011
Contractual Exclusions For TV And Film
Contractual Exclusions
If you as an artist has any clout, you can negotiate an automatic contractual soundtrack exclusion in your record deal. This had a big laundry list of clauses and will apply if you have no exclusion but the label's consent.
1. You can't perform on more than one or two selections for inclusion in the album.
2. You can't do more than one of these during any one-year period of the term. Some cases it's a limit of three cuts over the term.
3. You can't be late on delivery.
4. All royalties and advances must be paid to your label and then you get paid after recoupment.
5. If you have any leverage you can get %100 of monies on soundtrack songs or tv but usually you will get %50.
6. You must try to get the right to use the recording on one of your albums, or Greatest Hits album.
Make sure when doing your deal, that film and tv songs are a major part, because this is a great way to promote you and your songs. Plus the money is very good.
*Everyday I recommend a few music making software. Check them out.
If you as an artist has any clout, you can negotiate an automatic contractual soundtrack exclusion in your record deal. This had a big laundry list of clauses and will apply if you have no exclusion but the label's consent.
1. You can't perform on more than one or two selections for inclusion in the album.
2. You can't do more than one of these during any one-year period of the term. Some cases it's a limit of three cuts over the term.
3. You can't be late on delivery.
4. All royalties and advances must be paid to your label and then you get paid after recoupment.
5. If you have any leverage you can get %100 of monies on soundtrack songs or tv but usually you will get %50.
6. You must try to get the right to use the recording on one of your albums, or Greatest Hits album.
Make sure when doing your deal, that film and tv songs are a major part, because this is a great way to promote you and your songs. Plus the money is very good.
*Everyday I recommend a few music making software. Check them out.
TV And Film Contracts
TV And Film Points
Clauses or the term includes motion pictures and television contracts. Label can stop you from recording for motion picture and television without their consent when making your own music. Their can be a bit of slack from the label that will allow your to record one or two songs in a film. However, the label in will have a pretty big laundry list. In the music industry, the label will require credit on the film or tv. These days you see artist dropping songs on soundtracks all the time. Your label does not want you just recording freely all the time for legitimate reasons. So you say to yourself, how do artists get on soundtrack albums? There are two ways. Begging them and saying it is good marketing and promotion for a song to push your album. Two, force the film or tv company to give the soundtrack to your label.
*Here are two great music making software that I highly recommend.
Clauses or the term includes motion pictures and television contracts. Label can stop you from recording for motion picture and television without their consent when making your own music. Their can be a bit of slack from the label that will allow your to record one or two songs in a film. However, the label in will have a pretty big laundry list. In the music industry, the label will require credit on the film or tv. These days you see artist dropping songs on soundtracks all the time. Your label does not want you just recording freely all the time for legitimate reasons. So you say to yourself, how do artists get on soundtrack albums? There are two ways. Begging them and saying it is good marketing and promotion for a song to push your album. Two, force the film or tv company to give the soundtrack to your label.
*Here are two great music making software that I highly recommend.
Wednesday, June 22, 2011
Re-Recording Restrictions
Re-Recording Restrictions
All recording contracts say you can't re-record any song you recorded during the term of a deal for a certain period of time after the term. This is what is called re-recording restriction. This makes a lot of sense because you could go out the very next day after your deal is over and duplicate the same album. This is the reason for the restriction. Re-recording restrictions only apply to records, not for a film or commercial. Well the labels figured out that artist were recording for movies and commercial and not using the master. This cuts out the label so they added this re-recording restriction so they get paid. When making your own music, this means an artist can only use the master so everyone gets paid including the record label.
All recording contracts say you can't re-record any song you recorded during the term of a deal for a certain period of time after the term. This is what is called re-recording restriction. This makes a lot of sense because you could go out the very next day after your deal is over and duplicate the same album. This is the reason for the restriction. Re-recording restrictions only apply to records, not for a film or commercial. Well the labels figured out that artist were recording for movies and commercial and not using the master. This cuts out the label so they added this re-recording restriction so they get paid. When making your own music, this means an artist can only use the master so everyone gets paid including the record label.
Tuesday, June 21, 2011
Deal Points With Record Advances Part Two
Cost Reimbursement
If the demo deal is dead and the label does not want you, you're free to go elsewhere and shop and gain some interest from another label. Remember the little bit of front money that the label gave you for the demo deal? They are going to want that back. When you sign a full deal with the label that wants you during your demo time from the first label, they want the money back. In the music business the label that signs you is willing to pay back the advance from your demo deal to the label that signed you to the deal. The cost of the advancement will be recoupable from your royalties. However, here is how you can protect yourself:
1. The money should only be paid back if you sign with another label.
2. There is also a time limit. In your demo deal, try to make the time limit a year and no more.
Non-Record Company Demos
Keep in mind that you can sign deals with producers and engineers besides labels companies. Non-record companies can also distribute your record. Since they are not mainstream deals, the rules and clauses are much different.
1. If and when you sign with a label, you will have to pay the producer or engineer back. This term is called a "override". The label will take it out of your royalties about %1 to %2 on your records. Some cases the funder producer or engineer will get a bit of your advance paid to you.
2. The funder may ask for and override on every record. This is a bit much. On a override the funder should only make back twice there investment and no more. Make sure this is in your contract with the funder.
3. The funder's royalty should only be payable after recoupment charges are made to your records. Funders for recording cost don't get an override on.
4. Try to get the label you sign with to pay the override obligation to the funder.
* Here are two recording products that I highly recommend. They are a great value for an inexpensive price.
Check out music making software!
If the demo deal is dead and the label does not want you, you're free to go elsewhere and shop and gain some interest from another label. Remember the little bit of front money that the label gave you for the demo deal? They are going to want that back. When you sign a full deal with the label that wants you during your demo time from the first label, they want the money back. In the music business the label that signs you is willing to pay back the advance from your demo deal to the label that signed you to the deal. The cost of the advancement will be recoupable from your royalties. However, here is how you can protect yourself:
1. The money should only be paid back if you sign with another label.
2. There is also a time limit. In your demo deal, try to make the time limit a year and no more.
Non-Record Company Demos
Keep in mind that you can sign deals with producers and engineers besides labels companies. Non-record companies can also distribute your record. Since they are not mainstream deals, the rules and clauses are much different.
1. If and when you sign with a label, you will have to pay the producer or engineer back. This term is called a "override". The label will take it out of your royalties about %1 to %2 on your records. Some cases the funder producer or engineer will get a bit of your advance paid to you.
2. The funder may ask for and override on every record. This is a bit much. On a override the funder should only make back twice there investment and no more. Make sure this is in your contract with the funder.
3. The funder's royalty should only be payable after recoupment charges are made to your records. Funders for recording cost don't get an override on.
4. Try to get the label you sign with to pay the override obligation to the funder.
* Here are two recording products that I highly recommend. They are a great value for an inexpensive price.
Check out music making software!
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