Making Your Own Music-Single Artist Deals

Making Your Own Music-Single Artist Deals

When making your own music, there is what is called a single artist deal. It is basically the same as a loan-out deal but there are a couple of differences. A deal between the artist and production entity is now for real. This means there are true negotiations between the two parties. Typically the artist will ask for things like they would ask a record label. Some provisions are different. Sometimes there is a battle between the production company and the artist. This means that the record label will exercise it's rights under the inducement letter and thus the terms of the inducement letter are critical. Here are some negatives with a production entity:

1) The production entity takes some of the royalty.
2) Harder for you to coordinate marketing, promotion, ect, if you and your manager don't have direct contact with the record label. Have one. Make sure your manager does!

Here is a cool make your own music software. Dub Turbo.

Simple Guitar Lessons

Want online guitar lessons. Jamorama.

Making Your Own Music-Indie Production Agreements

Making Your Own Music-Indie Production Agreements

When making your own music, an indie production agreement is what a major distributed indie labels signs
with the major label. These deals are similar to loan-outs, except that the artist doesn't own the corporation in the middle. Typically, the production entity is owned by a producer or other recording mogul whose ears have found you and committed to you. It then signs to a major to deliver the artist's recordings. As we see in a minute, under these deals, the inducements letter is even more critical. There are two basic types of these production deals:

1) A single artist deal is where the production entity makes an agreement with the record company for one specific artist.

2) A mult-artist deal sometimes called a label deal, is where the production entity supplies recordings of various artists, many of whom have not yet been signed by the production entity. As you can imagine, this type of deal is much more complicated than a single-artist deal. Next post I will explain single-artist deals.

Simple Guitar Lessons

Here is a recommended guitar lessons program: Online guitar lessons.

Making Your Own Music-Loan Out Deals

Making Your Own Music-Loan Out Deals

This page is about loan-outs for musicians. Click below if you are seeking:

Simple Guitar Lessons

*Jamorama for online guitar lessons
* Dub Turbo for recording software

When making your own music, hopefully you will begin to get successful. As this occurs, you will want a loan-out corporation. Everybody that is a band or solo artists has one. It's called this because the corporation and not you enters in the deals, and "loans" your services to others for recording, concerts, etc. Having such a company will protect you from being sued. In other words, if the loan-out company's only assets are your record royalties, then someone who sues you over a record-related claim can only grab your record money. They can't go after say, your personal bank account balances, songwriter income, etc.  When making your own music, this is how your record deal works. You sign an exclusive recording contract with your own corporation, on a form that looks like the record company deal. Set up as a LLC(Limited Liability Company), which is set up like a corporation. Once you sign with your own corporation, the record company signs a recording agreement with that entity, which agrees to supply services. Three steps to remember and should also look like when you sign a deal. 1) Artist, 2) Loan-Out Company, 3) Distributing Record Company.

Digital And Webcast Monies

Digital Performance, And Webcasting Monies

When making your own music, recording artists are entitled to monies payable under the Audio Home Recording Act of 1992. This is known as DART. Congress added a right to be paid for the digital performance of masters in 1995 and the right to be paid for the digital performance of masters. In 1998, the right to be paid for web casting. As a preview, the important thing to know is that with each of these the artist is paid directly for these rights, meaning monies don't go to the record company's. So they can't recoup anything from this. This is a great way to go for artists due to technology and everything is computer influenced these days. However the record labels are trying to figure out a way to get there greasy little hands on this money earned by artists. If you are paid directly, your record deal will say that you're not entitled to share the company's monies. In other words, if whoever collects web casting monies pays you and the label separately, you won't share in each other's cash. What you want to add is that, if anyone pays all the monies to the record company's, you get %50 of those. And try to say that the label can't use these monies to recoup your deficit.Your argument is that they didn't expect to have them for recoupment in the first place.

Foreign Public Performance of Masters

In many countries, the record label is paid a royalty every time a recording is played on the radio. This is different from public performance royalties that are paid to a songwriter and publisher of the musical composition when recording is played on the radio, and which have always been paid in the U.S. Public performance monies for recordings didn't exist in the U.S. until 1995, and the law enacting them is so narrow that it means very little today. But the money is growing! In foreign territories, these monies are substantial. Record companies don't like to share their foreign public performance royalties, on the theory that the artists can get their share by directly applying to the foreign performing society. The problem is that most U.S. artists aren't allowed to collect foreign performances under the local rules, and while this should move the companies to tears, somehow it doesn't. They simply dig into the position that they don't have to give the artist any part of the record company's share, and this is an extremely difficult point for the artist to win.

Simple Guitar Lessons

*Here are online guitar lessons. Highly recommended: Jamorama Guitar.

Making Your Own Music-Online Guitar Lessons!

Simple Guitar Lessons

Making Your Own Music-Guitar Lessons



   The guitar is a great instrument to learn. It is very efficient to carry around unlike a piano. It does not take up to much space in your house or apartment. The guitar is very complex and not easy to play. This is the case for most instruments. There are some many endless possibilities of sound creation with the guitar. When making your own music, writing songs it is a very popular tool to use for this purpose. Learning guitar, there are some many teachers and private lessons out there. There is a easy alternative to this. Now and days the Internet provides you with everything and everything. I have found that online guitar lessons are the way to go. Saves money number one. Number two, you can sit in front of the comupter/pc to learn right from home. Private lessons are way to expensive and most people just starting out get very nervous in front of there teacher. I have done tons of research on lessons because of me being in the music industry and just plain curiosity. I have found that a great way to learn online guitar lessons is through Jamorama. The teaching methods are superior and easy to lean and understand. Plus you can learn any type of style of music on electric and acoustic. With the shape of the economy and saving money. Online guitar lessons is where it's at. So check out Jamorama, and you can learn how to play the guitar and make great sounds and songs! I highly recommend it.

Arian Collin is a manager for bands and artists in the music industry.

Learning Guitar

Jamorama

Making Your Own Music-Record Clubs

Record Clubs

Record Clubs

In the music industry, there are what is called "Record Clubs". This are done by mail orders when you join, you buy a certain number of records at one time. Royalties are much less for record club purchases. It is half of your own royalty rate, or 50% of your labels net license receipts from the record club. These sales are licensed to record clubs, who manufacture and distribute the records. and pay license fees to your label. Usually by asking, you can get a straight 50% of the labels net license receipts. However, since the label doesn't get such a high rate from the record club, this is what you will get anyway. The net is less than half your royalty rate. The labels say that lower royalties for the record clubs are justified on the grounds that the marketing cost is higher and there are a lot of bad debts, meaning people who don't pay for the records the ordered. Also, the labels say they make less on these sales than if they sold the records themselves, and so they only do it because they believe these are sales to people who wouldn't buy at retail. Record clubs give free goods away as well. remember that retail sales is 5 to 10% for free goods. With clubs it is a bit more. So every two hundred sold, one hundred are free. So ask for a limit on your contract of one free record for ever sale. Wrong. The one-to-one limit is for the company's entire catalog. This means they could give away more of your records that some other artist or band. At the superstar level, you can get your own one-to-one limit. Unfortunately, without a lot of clout, you'll have to live with what is offered. As your leverage grows, you can control the company's right to put your records in clubs, or at least delay the club release say six months from release in stores. Club sales won't compete with retail sales during the hottest period of sales.

Music Recording Software

In each of my posts, I always recommend top music recording software, when making your own music.
Here are two that are great for recording music right from home:

Home Recording Software

Dub Turbo

Sonic Pro

*If you purchase one of these products, send me an email at the bottom of the page for a chance to win $500 in music recording equipment.

Making Your Own Music-Record Computations

Making Your Own Music And Record Computations

Prices on albums vary in the music business, pending on an artists or bands status. There is a growing practice of releasing new artists at what's known as "new and developing artist prices." The theory is that people will fork ou some money to try something that is fresh and new at a bit of a steeper price. So what happens is a number of debut albums are released at mid-price. Because for the history showing that this work pretty well when pushing new artists, the labes have gotten tougher about controlling prices, and it is harder to get limits in your contractual deal. Some record labels will take this new release to the extreme and put out radically discounted Cd's, say $6.00 PPD to get a buzz going about a new artist or band and increase the initial sales. If the label does decide to do this, they will ask you to give up you royalties on under priced albums or what is called "cheapies." In your deal you should ask for a limit fun for units sold. Unfortunately a majority of the labels won't agree to unit limits. They say that they will just put enough out there to launch your career and it is in both of your interests to raise the price.

Music Making Software

Home Recording Software

I have found that as a band, solo artist, dj, rapper, you can make music beats and record from you very own computer with a few goods music software's on the market. No need for a professional music studio. Find more information on music making software. I personally recommend trying this music recording software.