Compulsory License-Learning Guitar

Compulsory Licenses

Compulsory License

A compulsory license  means that you must issue a license to someone who wants to use your work, whether you like it or not. There are six compulsory license:

1. Cable television rebroadcast.
Cable companies set up a big antenna to receive weak signals and send them along to the homes in the area. The cable tv compulsory license requires the local broadcasting stations to allow the cable company to retransmit their signals in exchange for payment of set fees. Without it this would be considered unauthorized distribution of copyrighted programming.

2. Public Broadcasting System.
The PBS lobbyists did a terrific job of requiring copyright owners to license works to them at very cheap rates.

3. Jukeboxes.
In may surprise you to know that, until 1976 Copyright Act, jukeboxes paid nothing for the right to use music. They were considered toys in the 1909 Copyright Act. Now they pay a license fee.

4. Digital performances of records.
This baby was added in 1995, then modified in 1998, and it requires the owners of recordings to allow performances on digital radio, which also includes webcasting radio shows on the Intenet.

5. Digital distribution of records.
This requires the owner of the song to license the downloading of records over the Intenet, telephone lines, satellites, etc.

6. Phonorecords of non-dramatic musical composition.
This is a big one in the music industry.

 Learning Guitar

Learning Guitar

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Making Your Own Music-Learning Guitar

How To Get A Copyright

You Need A Copyright

Under the United States copyright law, as soon as you make a tangible copy of something, you have a copyright. In making your own music, tangible simply means something that you can touch. If the work is a musical composition, for example, it can be written down if you write music, or just sung it onto a recorder. Once this tangible copy exists, you have all the copyright you need. Many people think you have to register in Washington D.C. to get a copyright. Not true. There are some important rights you get from registering, but securing a copyright isn't one of them. So yes, it is that simple. If you sing a song in your head, no matter how completely it's composed, you have no copyright; if you write it down or record it, you have one.

What Are All These Rights You Get?

When you have a copyright, you get the following rights at no extra charge. These rights are exclusive, which means that no one can do these things without your permission. You get exclusive rights to:

1. Reproduce the work.
For example, if you write a song, no one can record it, publish is as sheet music, put it in a movie, or otherwise copy it without your permission.

2. Distribute copies of work.
Apart from the right to reproduce your song, there is a separate right of distribution which you also control.

3. Perform the work publicly.
With a song, this means playing it in nightclubs, on the radio, on television, in amusement parks, supermarkets, elevators, etc.

4. Make a derivative work.
A derivative work is a creation based on another work. In the music industry, an example is parody lyrics, like Weird Al Yankovic. This is considered new work. It is called a derivative because it's derived from the original.

5. Display the work publicly.
This does not apply to music; it's the right to put paintings, statues, etc., on public display.

Learning Guitar

Learning Guitar

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Next post I will discuss more on copyright for song composition.

Making Your Own Music-Learning Guitar

Songwriting And Music Publishing

Before you can understand what songwriting and music publishing are all about, you have to understand how copy write works when making your own music. When you deal with something intangible like a copy write (which you can't see, feel, or smell), it's a challenge to nail it down. Copy writes are a tremendous amount of fun. You have to watch this, because they can nip you in the butt. Many of the concepts have been around for over a hundred years; always a challenge in today's world. But don't worry. I'll guide you through the maze.

When you own a copyright, it's like playing Monopoly and owning all the properties on the board. But unlike Monopoly, you're not limited to the rents printed on the little cards. (As we'll see later, there are some pre-set rents, but for the most part you can charge whatever the traffic will bear.) The legal definition of a copyright is "limited duration monopoly." Its purpose is to promote the progress of science and useful arts by giving creators exclusive rights to their works for a while. As you can imagine, if you created something and everybody had the right to use it without paying you, not many people would go through the trouble of creating anything. Next post I will get into to how to attain one and all the rights you get.

Learning Guitar

Learning Guitar

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Author Arian Collin is a music manager for bands and solo artists in the music industry.

Upstream Deals-Learning Guitar

Upstream Deals

Here is a new topic in the industry when making your own music. It has been around for the last few years now. It is called an upstream deal. This is a cross between an independent distribution deal and a production deal. This is how it works:

An indie label goes to a indie distributor that's owned by a major label. It makes a standard distribution deal, but also gives the major label a right to upstream the artist, meaning the deal transforms from a distribution deal with the indie distributor into a production deal with the major label. The upstream deal is made with the major label who supplies the distribution. In other words, the pure distribution part of the deal is in a contract with the major label, not a separate contract with the distributor.

When an artist is upstreamed, the distribution label moves the records from one distributor to its major distributor. It stops paying over the gross sales monies less a distribution fee, and instead pays the indie a royalty. or if the indie has clout a percentage of profits.Whether it's a royalty or profit share. the indie gets less money than it would under a distribution fee. That's because the distributing label is taken a big risk. As part of the upstream, it takes over the costs of marketing, promotion, videos, etc. The distributor also takes a risk on record units being returned. The idea behind the upstream deal is that when an artist's sales gets to a certain point, it takes the clout and money of a major to move those sales to the mega level.

Learning Guitar

Learning Guitar

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P&D Deals-Learning Guitar

P&D Deals

If you are truly a record company in your own right, then this is the deal for you. It gives you the most autonomy and control of your life, as well as highest profit margin. This is the deal that true independent labels make. A pressing and distribution agreement of P&D is exactly that-the company agrees to manufacture records for you, although in some situations this isn't even so; the product is manufactures elsewhere, and then to distribute them solely as a wholesaler. This means you sell the records to the distributing entity for a wholesale price less a negotiate distribution fee. The distribution fee ranges in the 20% to 25% range and less if you are a big label, with the bulk of the deals around 24% to 25%. For example, if a CD wholesales for $10, under a deal with 20% distribution fee, the independent company gets
$8.00 per unit. Out of this, the independent pays manufacturing, mechanicals, artists royalties, promotion, overhead, salaries, and everything else.

In these deals, the entire risk of manufacturing falls entirely on the independent company. Remember how records are sold on a returnable basis. This means that, if you guess wrong, the returns come back home to roost. So not only are you losing your potential profit on the sale, but you're also coming out of pocket and losing the cost of manufacturing and shipping records you can't sell. Many deals also require you to pay a distribution fee even if the record is returned, adding injury to insult. The distribution company typically offers no services whatsoever in term of marketing, promotion, accounting, etc. For example they might help you with marketing, sales, or promotion, and charge an extra 3% to 5% distribution fee.

These type of deals can be made at the highest level like A&M Records was distributed by BMG ins such an arrangement. Small indie labels make these deals with smaller independent distributors.

Learning Guitar

Learning Guitar

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Arian Collin, author of this blog is a music manager for bands and solo artists in the music industry.

Learning Guitar

Learning Guitar

Learning Guitar

With all the options we have today with the Internet, there are so many products and services for learning guitar. I have spent a lot of time researching and looking into over one hundred products for guitar lessons. My conclusion is that I found Jamorama Guitar is a great learning tool for learning to play guitar. It offers a very personal and specific instructions with over thousand of hours of instructional video. This product is a great value. Keep in mind that when you take private lessons it will cost you a minimum of $20 an hour fee and can range anywhere from $20 to $60 an hour. Jamorama is by far a fantastic online guitar lessons teaching guide.  Who does this benefit? This program is specific instruction for beginners to intermediate for any age. It also is a learning guide for acoustic guitar and electric. The course also consists of four videos with an abundance of illustrations and photos all in an ebook form.
148 short videos with sound to illustrate each lesson. These short audio/video illustrations are well produced with split screens showing the right and left handed positioning separately as well as other illustrations without fingers blocking the view. These videos make learning a new technique or chord so much simpler than regular static photos. You will have access to playing with a backup band when you play. This is my favorite part of the product. Another bonus part is the guitar tuner, that will tune your guitar. Nothing compares to Jamorama Guitar. It is a great value for only $39.95! Enjoy and have fun. To purchase Jamorama click here on learning guitar.

Making your Own Music-Royalties Verses Joint Ventures

Making Your Own Music-Royalties Versus Joint Ventures

Keep in mind when making your own music, there is a difference between royalty and a joint venture. So, are you better off with a joint venture or have a royalty arrangement? To answer this requires a crystal ball. If you're extremely successful, you're better off with a joint venture. With modest success, you're better off under a royalty arrangement. As I discussed, you're charged for more costs in a joint venture than under a royalty deal, and thus with only modest success. you're behind. However, many of these costs are not "per unit" when making your own music. This mans that there only paid at the beginning, as opposed to "per unit" costs that are incurred for each record made. Examples for per-unit charges are costs of manufacturing, mechanical royalties, union per record charges, freight, etc., which must be paid to manufacture and ship each unit. Costs that are not per-unit are such things like, artwork, videos, promotion, marketing, advertising, which are unrelated to specific units. Thus, with a great deal of success, the non-per-unit costs are eaten up by the first dollars that  come in, and thereafter the profit per unit is far greater than any royalty arrangement is ever likely to be.

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See you next time!